Sri Ramadasu Songs Free Download Seetharamula Kalyanam Mp3 Free Download

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You can download Ramadasu Keerthanalu MP3 songs here for free. Bhakta Ramadasu, also known as Kancharla Gopanna, is the saint poet who wrote, composed, and sung hundreds of Keerthans dedicated to Lord Sri Rama of Bhadrachalam
Sri Ramadasu Songs - Listen Sri Ramadasu Telugu Movie Songs
Sri Ramadasu Telugu Movie Songs, Trailers, Video Clips. Starring Nagarjuna, Sneha, ANR, Suman, Veda. Music By Keeravani. Directed By K Raghavendra Rao
Sri Ramadasu

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God Vishu Wallpapers Download Pictures Photos Video Cards

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Vishu is the most important Malayali festival, celebrated in every household of the state. It has religious connotation and is held in very high regard. Falling around March – April, this festival marks the beginning of the New Year in the state. There are several features that are attached to it that remind us of the fond memories of the celebrations and merry making observed in Vishu and Vishu wallpapers is one of them.
Vishu Wallpapers facilitate you to remain in the festive ambiance even long after it is gone. Yes! You could have these wallpapers on your computer screen, in the office or at home and let those wonderful memories linger in your minds and hearts for long. You may also have them on your computer screens much ahead of the festival to welcome Vishu in the most spectacular way.
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Lord Shiva the Destroyer

The Powerful God : Shiva is 'shakti' or power, Shiva is the destroyer, the most powerful god of the Hindu pantheon and one of the godheads in the Hindu Trinity. Known by many names - Mahadeva, Mahayogi, Pashupati, Nataraja, Bhairava, Vishwanath, Bhava, Bhole Nath - Lord Shiva is perhaps the most complex of Hindu deities. Hindus recognize this by putting his shrine in the temple separate from those of other deities.
Shiva As Phallic Symbol:
Shiva, in temples is usually found as a phallic symbol of the 'linga', which represents the energies necessary for life on both the microcosmic and the macrocosmic levels, that is, the world in which we live and the world which constitutes the whole of the universe. In a Shaivite temple, the 'linga' is placed in the center underneath the spire, where it symbolizes the naval of the earth.

Read the Story of the Shiva Lingam

A Different Deity : The actual image of Shiva is also distinct from other deities: his hair piled high on the top of his head, with a crescent tucked into it and the river Ganges tumbling from his hairs. Around his neck is a coiled serpent representing Kundalini or the spiritual energy within life. He holds a trident in his left hand in which is bound the 'damroo' (small leather drum). He sits on a tiger skin and on his right is a water pot. He wears the 'Rudraksha' beads and his whole body is smeared with ash.
The Destructive Force:
Shiva is believed to be at the core of the centrifugal force of the universe, because of his responsibility for death and destruction. Unlike the godhead Brahma, the Creator, or Vishnu, the Preserver, Shiva is the dissolving force in life. But Shiva dissolves in order to create, since death is the medium for rebirth into a new life. So the opposites of life and death and creation and destruction both reside in his character.
The Most Fascinating of Gods:
He is also often portrayed as the supreme ascetic with a passive and composed disposition. Sometimes he is depicted riding a bull called Nandi decked in garlands. Although a very complicated deity, Shiva is one of the most fascinating of Hindu gods.
The God Who's Always High!:
Since Shiva is regarded as a mighty destructive power, to numb his negative potentials he is fed with opium and is also termed as 'Bhole Shankar', one who is oblivious of the world. Therefore, on Maha Shivratri, the night of Shiva worship, devotees, especially the menfolk, prepare an intoxicating drink called 'Thandai' (made from cannabis, almonds, and milk) sing songs in praise of the Lord and dance to the rhythm of the drums.
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The Ramayana Adi Kavya Summary of the Ramayana

Rama and Sita in Exile in the Panchawati Forest

The Ramayana is undoubtedly the most popular and timeless Indian epic read and loved by all. The term 'Ramayana', literally means "the march (ayana) of Rama" in search of human values. As a literary work, it combines "the inner bliss of Vedic literature with the outer richness of delightfully profound story telling."

This story of Shri Rama by the great sage Valmiki is referred to as the Adi Kavya or original epic. About the Valmiki Ramayana, Swami Vivekananda has said: "No language can be purer, none chaster, none more beautiful, and at the same time simpler, than the language in which the great poet has depicted the life of Rama."

Rama & Sita

About the Poet

Universally acclaimed and accepted as the first among Sanskrit poets, Valmiki was the first to discover a metrical expression of epic dimension and vision to match the emotional ecstasy of the story of Rama. According to a legend, Valmiki was a robber who one day met a hermit who transformed him to a virtuous being. Saraswati, the goddess of wisdom was believed to have assured the sage to stand by his side and guide him to visualize the events of Ramayana, and eulogize them with epic dignity and secular simplicity.

Read About the Many Characters of the Ramayana

The Seven 'Kandas' or Sections

The epic poem is composed of rhyming couplets called 'slokas', in high Sanskrit, employing a complex meter called 'anustup'. These verses are grouped into individual chapters or cantos called 'sargas', wherein a specific event or intent is told. The 'sargas' are again grouped into books called 'kandas'. The seven 'kandas' of Ramayana are: Bal Kanda, the boyhood section; Ayodhya Kanda, Rama's life in Ayodhya, until his banishment; Aranya Kanda, Rama's life in the forest and Sita's abduction by Ravana; Kishkindha Kanda, Rama's stay at Kishkindha, the capital of his monkey ally, Sugriva; Sundara Kanda, Rama's passage to Sri Lanka; Yuddha Kanda or Lanka Kanda, Rama's battle with Ravana, the recovery of Sita, and return to Ayodhya; and Uttara Kanda, the section narrating Rama's life in Ayodhya as king, the birth of his two sons, Sita's test of innocence and return to her mother, and Rama's demise or 'jala samadhi' (water-tomb).

Read the Summary of the Ramayana

Time of Composition

There was a long period of oral tradition before the Ramayana was actually written, and the original strand of the story drew upon various pre-existing folk tales about Rama. Like many other classical poems written in ancient times, the exact date and time of the genesis of Ramayana is yet to be determined accurately. The reference to the Greeks, Parthians, and Sakas shows that the time of composition of Ramayana cannot be earlier than the second century BC. But the consensus is that Ramayana was written between the 4th and the 2nd centuries BC with augmentations up to about 300 CE. Linguistically and philosophically, a period just after the Vedic age, would most suit the content of the epic.

Guide Picks: Top 6 Books on the Ramayana

Versions and Translations

The heroic deeds of Rama and his exciting adventures have inspired generations of people, and for centuries, the epic existed only orally in Sanskrit. Other famous versions of Ramayana include Shri Ramcharitmanas in Avadhi or old Hindi by Goswami Tulsidas, Kamban's Kambaraamayanam in Tamil, the Patala Ramayanam in Malayalam, and the Bengali Ramayana by Krittivas Ojha. This monumental work had a deep influence on almost all Indian poets and writers of all ages and languages: Ranganatha (15th century), Balarama Das and Narahari (16th century), Premanand (17th century), Sridhara (18th century), et al. Valmiki's Ramayana was first introduced to the West in 1843 in Italian by Gaspare Gorresio with support of Charles Albert, the King of Sardinia.

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Durga Chalisa Mp3 Free Download Puja Mantra Stuti Bhajan Aarti Navratri

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Durga Chalisa
Namo Namo Durge Sukh karani,
Namo Namo ambe Dukh harani.

Nirakar hai jyoti tumhari,
Tihun lok pheli ujayari.

Shashi lalat mukh mahavishala,
Netra lal bhrikutee vikarala.

Roop Matu ko adhika suhave,
Daras karat jan ati sukh pave.

Tum sansar shakti laya kina,
Palan hetu anna dhan dina.

Annapurna hui jag pala,
Tumhi adi sundari Bala.

Pralaya kala sab nashan hari,
Tum gauri Shiv-Shankar pyari.

Shiv yogi tumhre guna gaven,
Brahma Vishnu tumhen nit dhyaven.

Roop Saraswati ko tum dhara,
De subuddhi rishi munina ubara.

Dharyo roop Narsimha ko amba,
Pragat bhayin phar kar khamba.

Raksha kari Prahlaad bachayo,
Hiranakush ko swarga pathayo.

Lakshmi roop dharo jag mahin,
Shree Narayan anga samihahin.

Ksheer sindhu men karat vilasa,
Daya Sindhu, deeje man asa.

Hingalaja men tumhin Bhavani,
Mahima amit na jet bakhani.

Matangi Dhoomavati Mata,
Bhuvneshwari bagala sukhdata.

Shree Bhairav lara jog tarani,
Chhinna Bhala bhav dukh nivarani.

Kehari Vahan soh Bhavani,
Langur Veer Chalat agavani.

Kar men khappar khadag viraje,
Jako dekh kal dan bhaje.

Sohe astra aur trishoola,
Jase uthata shatru hiya shoola.

Nagarkot men tumhi virajat,
Tihun lok men danka bajat.

Shumbhu Nishumbhu Danuja tum mare,
Rakta-beeja shankhan samhare.

Mahishasur nripa ati abhimani,
Jehi agha bhar mahi akulani.

Roop karal Kalika dhara,
Sen Sahita tum tin samhara.

Pan garha Santan par jab jab,
Bhayi sahaya Matu tum tab tab.

Amarpuni aru basava loka,
Tava Mahirna sab rahen asoka.

Jwala men hai jyoti tumhari,
Tumhen sada poojen nar nari.

Prem bhakti se Jo yash gave,
Dukh-daridra nikat nahin ave.

Dhyave tumhen jo nar man laee,
Janam-maran tako chuti jaee.

Jogi sur-muni kahat pukari,
Jog na ho bin shakti tumhari.

Shankar Aacharaj tap keenhon,
Kam, krodha jeet sab leenhon.

Nisidin dhyan dharo Shankar ko,
Kahu kal nahini sumiro tum ko.

Shakti roop ko maran na payo,
Shakti gayi tab man pachitayo.

Sharnagat hui keerti bakhani,
Jai jai jai Jagdamb Bhavani.

Bhayi prasanna Aadi Jagdamba,
Dayi shakti nahin keen vilamba.

Mokon Matu kashta ati ghero,
Tum bin kaun hare dukh mero.

Aasha trishna nipat sataven,
Moh madadik sab binsaven.

Shatru nash keeje Maharani,
Sumiron ekachita tumhen Bhavani.

Karo kripa Hey Matu dayala,
Riddhi-Siddhi de karahu nihala.

Jab lagi jiyoon daya phal paoon,
Tumhro yash men sada sunaoon.

Durga Chalisa jo gave,
Sab sukh bhog parampad pave.


Translation of Durga Chalisa in English

I bow to You O Goddess Durga, the bestower of happiness!
I bow to You O Goddess Amba, who Ends all miseries.

The radiance of your light is limitless and all pervading and all the three
realms (Earth, Heaven And the Nether World) are enlightened by Thee.

Your face is like the moon and mouth very huge. Your eyes shine with a
red glow and You have a Frightening frown.

O Mother! Your look is enchanting, the very sight of which ensures welfare
of the devout.

All the powers of the World repose in Thee and it is You who provide food and
wealth for the World's survival.

Like the feeding Mother Annapoorna, You nurture the whole universe and You are
the one Who appear like the timeless Bala Sundari (young girl of extreme beauty).

At the time of dissolution, it is You, O Mother, who destroys everything. You are the
beloved Consort of Lord Shiva, Gauri (Parvati).

Lord Shiva and all yogis always chant your praise Brahma,
Vishnu and all other Gods ever meditate on You.

You appear in the form of Goddess Saraswati too,
to grant wisdom to the sages and thus ensure their Welfare.

O Mother Amba! It was You who appeared in the form
of Narsimha, sundering the pillar.

Thus You saved Prahlad and Hiranyakashyap also went to
Heaven as he was killed by your Hands.

In the form of Goddess Lakshmi, O Mother, you appear in
this world and repose by the side of Shree Narayan.

Dwelling in the ocean of milk, O Goddess, with Lord Vishnu,
please fulfill my desires.

O Bhavani, the famous Goddess of Hingalaja is no one else but
You Yourself. Illimitable is your Glory, defying description.

You are yourself Matangi and Dhoomavati Mata. It is You who appear as
Bhuvaneshwari and Bagalamukhi Devi to bestow happiness to all.

It is You who redeem the wolrd, appearing in the form of Shree Bhairavi,
Taradevi and Chhinnamasta Devi, and end its sorrows.

Reposing gracefully uopn your vehicle, O Goddess Bhavani, You are welcome
by the brave Langour (Lord Hanuman).

When You appear in the form of Goddess Kali, with sword in one hand and a
cupel in the other, Even Time flees in panic.

Beholding You, well armed, with a Trident in your hand, the enemy's
heart aches with the sting Of fear.

You also repose in the form of Devi at Nagarkot in Kangara. Thus all the
three realms shudder in the might of your glory.

You slayed the demons like Shumbh & Nishumb and massacred the
thousand forms of the dreaded Demon Raktabeej.

When the earth was severely distressed bearing the load of the sins
of the arrogant Mahishasur.

You assumed the dreadful form of Goddess Kali and
massacred him along with his army.

Thus, whenever the noble saints were distressed,
it is You O Mother, who came to their rescue.

All the realms including the Amarpuri (divine realm) remain
sorrow-less and happy by Your Grace. O Goddess!

It is the symbol of Your glory that is burning brightly at Shree JwalaJi.
All me and women Ever worship You, O Mother!

He who sings Your glory with devotion, love, and sincerity remains
beyond the reach of grief And poverty.

He who meditates upon Your form with concentration goes
beyond the cycle of births and deaths.

All the yogis, gods and sages openly declare that without your
favour one can't establish communion with God.

Shankaracharya had performed once a special penance called
Aacharaj and by virtue of which he had subdued his anger and desire.

He ever worshipped Lord Shankar and never for a moment
concentrated his mind on You.

Since He did not realise your immense glory, all His powers
waned and then He repented hitherto.

Then He sought refuge in You, chanted Your glory and
'victory, victory, victory to Thee, O Jagadamba Bhavani'.

Then, O Primal Goddess Jagadamba Ji, You were propitiated and
in no time You bestowed Him with his lost powers.

O Mother! Severe afflictions distress me and no one except Your
Honoured Self can provide relief please end my afflictions.

Hopes and longings ever torture me. All sorts of passions and
lust ever torment my heart.

O Goddess Bhavani! I meditate only upon you Please
kill my enemies O Queen!

O Merciful Mother! Show me your favour and make me feel
happy by bestowing me with all sorts of riches and powers.

O Mother! May I be receptable of Your grace as long as I live,
ever recounting the feats of Your Glory to all.

This way, whoever sings this Durga Chalisa shall ever enjoy all
sorts of pleasures and shall attain the highest state in the end.
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Jay Adhya Shakti Mp3 Download Aarti Bhajan Jay Adhyashakti Amba ma ni Arti

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Jay Adhya Shakti: Maa Amba Aarti Audio Mp3. thanks. rajesh on February 18th, 2009 at 5:08 pm. mujhe gurba songs download karna hai koi aachhi si site bataiye jisse aashani se garba songs download ho sake. Jayesh on February 19th,
Jay Adhya Shakti Dandiya Mp3 Downloads
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